Jay Acovone is a versatile actor who is best known for his ability to play authoritative characters such as Mafia bosses, villains, police/military, and lawyers. He was born on August 20, 1955 in NYC, New York, USA. His parents later moved to Mahopac, NY where he graduated from Mahopac High School. While he was always an avid movie fan, it was a chance encounter with a friend, urging him to take part in a play, that set him on a path for a career in acting.

James Whitmore Jr. was born into the home of peripatetic, bombastic and pure actor; James Whitmore and his understanding and charming bride Nancy. Little Jimmy was inundated with the harrowing realities of the performers life.

Eve Gordon's most recent work when this profile was first published was starring in the November 1999 ABC TV movie about the Partridge Family. Eve played Shirley Jones. She also had a recurring role as Felicity's mother on the popular TV series "Felicity". Other episodic work she's done includes "The Practice" and "Party of Five". Eve has starred in three series on Network Television. The first was "Almost Grown", with Tim Daly, created by David Chase, who went on to create "The Sopranos".

The last eight surviving Munchkins from "The Wizard of Oz" share their memories in this 1993 documentary hosted by Oz historian John Fricke.

Judith Hoag clearly wanted to be an actress from a very early age. It was a positive outlet, a way to channel all of that energy. Her 4th grade music teacher said she was "given to histrionics". Her mother called her "Sarah Heartburn".

You served your apprenticeship originally with Roger Corman working on horror movies. Was that a good apprenticeship?

quote-leftOh yeah. Aside from the fact that it was the only apprenticeship possible, the only way to gain that experience. Nowadays there are many people like Roger making so-called exploitation films. But in those days there was nothing other than Roger, and I was lucky to become his personal assistant, and he assigned me many many different jobs, from editing and writing to being a sound recordist, cameraman - you name it, I did it for him. And although the pay was, of course, very very poor, what you gained in experience and confidence more than made up for it.

What would a normal "Simpsons" work schedule be like for you?

quote-leftWhen we're on a week-to-week schedule, what I will normally do is spot an episode on Friday afternoon. The music editor will prepare my timing notes on Saturday and Sunday and then I'll start writing, usually Monday morning if it's a "normal" episode of "30 cues or less." If it's more than that, I'll sometimes start on Sunday to get a jump on things and then I'll put in probably four long days—Monday, Tuesday, Wednesday, Thursday—of maybe nine in the morning until 11:30 or midnight every day. And then we spot the next week's episode Friday afternoon again and I'll record the cues that I've composed during the past week on Friday night starting at seven. We usually have anywhere from a three to a three-and-a-half hour recording session to do those 30 cues. Every week is different on "The Simpsons" as you know. It really is dependent on whether it's straight underscore type of recording that I have to do or if I have to record vocals—if I have to do orchestral sweeteners of songs that I've written in the past. So, it's never a dull moment.

In a few minutes I'll ask you about Beloved, and about Storefront Hitchcock, but before I do I'd just like to do a little canter over some other parts of your career. I know you've talked a lot about your time in the Corman stable in the 1970s and your development through the work you did there and the movies you made with Roger Corman. I wanted to ask you about what the single most important thing was that you learnt from Roger Corman in terms of that background that really gave you the opportunity to become a director?

quote-leftI think it was probably that it was completely understood that if you didn't complete the days work on any given day that you would be replaced. That instilled in me a very strong discipline and a sense that first and foremost your priority was to keep the movie on schedule and on budget, and that's one way you get to stay on the job. That was very valuable. Roger also said something I'll never forget. He said that as far as he was concerned the formula for a director was 40 per cent artist, 60 per cent businessman. He also had a little pat speech that he'd give you before you did your first directing job, a lot of really good rules - stuff that most movie goers know anyway - just ways to keep the eye entertained, the value of well-motivated camera movement... that kind of thing. He was great. We called it the Roger Corman school of film technique. You really did learn on the job.

Corey Eubanks will disclose the startling truth about what really took place during the filming of some of the biggest television shows and feature films Hollywood has ever produced, including “The Dukes of Hazzard” – “The Fall-Guy” – “The A-Team” “TRANSFORMERS” - “THE FAST AND FURIOUS” and “TERMINATOR GENISYS”.

After more than fifty years in show business, actress Shelley Morrison, who played the wisecracking Rosario on the hit NBC series "Will and Grace," has more than her share of stories. This veteran of the big and small screen has also augmented her professional life with ties to her family and community that have made her a compelling person as well as a skilled performer.